Women of substance

In such an aesthetically driven industry and digital landscape, women of substance cut through the noise with their intelligence, authenticity, and quiet overachievements.

There’s No Space Left in C# Minor

And at long last, here we are.

Over a year in the making: my first truly personal piece of film.

Left Bank

Before the internet democratised information for the masses, there was a more manageable pool of universal “truths” filtering from the top. Fuck the system, we said – we want more truths. We want to dictate our own truths.

Decades elapsed and we got more access to truths than one mind could ever fathom.

But, you know – it’s easier to stay in my lane.

Kids these days

From all of my recent onstage rants in support of youth (thanks to the blindly trusting adults who allowed me to do so). Join the revolution.

Youth have somehow always ended up on the right side of history – if only in retrospect. Time and time again, fresh eyes and fearless minds discredit the cynical institution’s blind antagonism of change. Idealistic? Of course. Impractical? Perhaps. But never impracticable. The expansion of that Judy Blume young adult chapter between childhood and adulthood prompted the emergence of a distinctive youth culture via radical student movements of the 50s and 60s – too opinionated to succumb to authority, yet footloose to adult responsibility and certainly defiant to the mandates of parents, universities, governments, The System. Paradigm shift after shift, youth at their best have continued to perceive and drive conversation around fundamental injustices to visible minority groups. At the very least, they have defined monumental leaps in style, art, film and music. No mean feat. Yet, each generation eventually grows into a prescribed mentality of what capitalism calls “success” an...

Camden Calling

There’s a thrill in spontaneous location shooting that triggers the same stage adrenaline as any performance art – particularly when your environment is completely unfamiliar, and as dynamic as Camden.

About

Margaret Zhang is a Chinese-Australian photographer, director, stylist and writer based in New York. Since her digital beginnings in the fashion industry in 2009, Margaret has worked with global brands including Chanel, UNIQLO, Swarovski, YEEZY, Clinique, Lexus, Dior, Gucci, Matches and Louis Vuitton in a wide range of capacities both in front of and behind the camera, while completing her Bachelor of Commerce/Bachelor of Laws at The University of Sydney.
Though regularly featured in print and digital media as a model and personality alike, Margaret’s pho tography, styling, and creative direction has been employed by the likes of Vogue, L’Officiel, Harper’s BAZAAR, NYLON, Marie Claire, Buro24/7, and ELLE internationally. She has been listed in Forbes Asia’s 30Under30 and TimeOut’s 40Under40 lists, and her work has been recognised as shaping the international fashion industry by the Business of Fashion BoF500 Index, and ELLE Magazine’s Best Digital Influencer of The Year Award.

 

 

 

For project enquiries Tess.Stillwell@img.com
General enquiries bookings@margaretzhang.com.au