Lanvin Fw10

vogue.com Once I got over the novelty of Constance with with black hair, I realised that this uniform look that made the models almost indistinguishable, and so I was focusing less on whether or not the looks suited the individual, and more on the very design – no questions asked. I guess some would argue…

There’s No Space Left in C# Minor

And at long last, here we are.

Over a year in the making: my first truly personal piece of film.

Christian Dior Fw10

tfs An insane amount of inspiration came from this Dior show. The hunt for the most amazing tights of all time continues, thigh high boots instead of pants comes to mind, sheer maxi skirts or dresses under jackets and blazers, looped cord necklaces, and an Alexander Wang hair done as a fish-tail rather than a…

Kids these days

From all of my recent onstage rants in support of youth (thanks to the blindly trusting adults who allowed me to do so). Join the revolution.

Youth have somehow always ended up on the right side of history – if only in retrospect. Time and time again, fresh eyes and fearless minds discredit the cynical institution’s blind antagonism of change. Idealistic? Of course. Impractical? Perhaps. But never impracticable. The expansion of that Judy Blume young adult chapter between childhood and adulthood prompted the emergence of a distinctive youth culture via radical student movements of the 50s and 60s – too opinionated to succumb to authority, yet footloose to adult responsibility and certainly defiant to the mandates of parents, universities, governments, The System. Paradigm shift after shift, youth at their best have continued to perceive and drive conversation around fundamental injustices to visible minority groups. At the very least, they have defined monumental leaps in style, art, film and music. No mean feat. Yet, each generation eventually grows into a prescribed mentality of what capitalism calls “success” an...

Balmain Fw10

vogue.com.au As much as people seem to be getting bored of Balmain’s look, I think they’re doing a lot of comparison between collections, which is natural I guess, but isn’t runway fashion about now and the designs themselves? All the pieces are still so well made and cut and conceptualised – and practically radiates Balmanity…

About

Margaret Zhang is a Chinese-Australian photographer, director, stylist and writer based in New York. Since her digital beginnings in the fashion industry in 2009, Margaret has worked with global brands including Chanel, UNIQLO, Swarovski, YEEZY, Clinique, Lexus, Dior, Gucci, Matches and Louis Vuitton in a wide range of capacities both in front of and behind the camera, while completing her Bachelor of Commerce/Bachelor of Laws at The University of Sydney.
Though regularly featured in print and digital media as a model and personality alike, Margaret’s pho tography, styling, and creative direction has been employed by the likes of Vogue, L’Officiel, Harper’s BAZAAR, NYLON, Marie Claire, Buro24/7, and ELLE internationally. She has been listed in Forbes Asia’s 30Under30 and TimeOut’s 40Under40 lists, and her work has been recognised as shaping the international fashion industry by the Business of Fashion BoF500 Index, and ELLE Magazine’s Best Digital Influencer of The Year Award.

 

 

 

For project enquiries Tess.Stillwell@img.com
General enquiries bookings@margaretzhang.com.au