Manikinn Com Shereen Nimbalker

I decided last week that it cannot possibly be healthy that so many incredible pieces are available to us at, literally, the click of a button 24/7. But, thankfully, the lovely Ms Shereen Nimbalker, Director of Manikinn.com, has changed my mind. Yet again. They always win! :) I spoke to Shereen about what she and…

There’s No Space Left in C# Minor

And at long last, here we are.

Over a year in the making: my first truly personal piece of film.

Louis Vuitton Fw10

tfs Is anyone besotted with elbow length leather gloves? And that leather skirt – so shiny. The LV monogram on those clutches are so gorgeous as well. I quite liked how muted the whole collection was from afar but, zooming in, you see all this insane little details that give this nicely balanced, aesthetically pleasing…

Kids these days

From all of my recent onstage rants in support of youth (thanks to the blindly trusting adults who allowed me to do so). Join the revolution.

Youth have somehow always ended up on the right side of history – if only in retrospect. Time and time again, fresh eyes and fearless minds discredit the cynical institution’s blind antagonism of change. Idealistic? Of course. Impractical? Perhaps. But never impracticable. The expansion of that Judy Blume young adult chapter between childhood and adulthood prompted the emergence of a distinctive youth culture via radical student movements of the 50s and 60s – too opinionated to succumb to authority, yet footloose to adult responsibility and certainly defiant to the mandates of parents, universities, governments, The System. Paradigm shift after shift, youth at their best have continued to perceive and drive conversation around fundamental injustices to visible minority groups. At the very least, they have defined monumental leaps in style, art, film and music. No mean feat. Yet, each generation eventually grows into a prescribed mentality of what capitalism calls “success” an...

Alexander Mcqueen Fw10

tfs All I have been thinking about all day is the Alexander McQueen FW10 collection. With 5 minutes to post something for the day before I continue power-summarising The Great Gatsby (which, by the way, is quite wonderful), I can finally explode this thinking into a post as best I can. You can’t live forever….

About

Margaret Zhang is a Chinese-Australian photographer, director, stylist and writer based in New York. Since her digital beginnings in the fashion industry in 2009, Margaret has worked with global brands including Chanel, UNIQLO, Swarovski, YEEZY, Clinique, Lexus, Dior, Gucci, Matches and Louis Vuitton in a wide range of capacities both in front of and behind the camera, while completing her Bachelor of Commerce/Bachelor of Laws at The University of Sydney.
Though regularly featured in print and digital media as a model and personality alike, Margaret’s pho tography, styling, and creative direction has been employed by the likes of Vogue, L’Officiel, Harper’s BAZAAR, NYLON, Marie Claire, Buro24/7, and ELLE internationally. She has been listed in Forbes Asia’s 30Under30 and TimeOut’s 40Under40 lists, and her work has been recognised as shaping the international fashion industry by the Business of Fashion BoF500 Index, and ELLE Magazine’s Best Digital Influencer of The Year Award.

 

 

 

For project enquiries Tess.Stillwell@img.com
General enquiries bookings@margaretzhang.com.au