Am I French Yet?

A quick hello from today before I resume my self-induced textbook coma.


A quick hello from today – work from the most inhumane and earliest hours of this morning, an unnecessarily long hunt for Chai (this time with rice milk, which is surprisingly good), then a long afternoon of getting my head around Public International Law. I hate exams.

A lot of you were asking about the bits and pieces involved in these two Instagrams I did today on my unglamorous adventures. So, ladies and gentlemen: double the denim (shirt stolen from my Alex, Citizens of Humanity boyfriend jeans), triple the leopard (Larsson & Jennings watch, Karen Walker sunglasses, Kirrily Johnston clutch), and honey honey probably the greatest buy of the season that you need to get your hot hands on. Windsor Smith lace up heels at a sweet sweet $139.95. Vibing Zanotti, razor sharp, sexy as hell and oh so comfortable. I was excited. Still am.

Back to the books! Will try and do a proper tomorrow if I’m not in a textbook coma.


Margaret Zhang 章凝 is an Australian-born-Chinese director, photographer, consultant and writer based between New York and Shanghai. Since establishing her website in 2009, Margaret has gone on to work with global brands including CHANEL, UNIQLO, Swarovski, YEEZY, Bulgari, Gucci, MATCHES, Under Armour, and Louis Vuitton in a wide range of capacities both in front of and behind the camera, while completing her Bachelor of Commerce/Bachelor of Laws at The University of Sydney. Margaret’s directing, photography, and styling has been employed by the likes of VOGUE, L’Officiel, Harper’s BAZAAR, NYLON, Marie Claire, GRAZIA and ELLE internationally. She has been listed in Forbes Asia’s 30Under30 and TimeOut’s 40Under40, and her work has been recognized as shaping the international fashion industry by the Business of Fashion BoF500 Index for the past four consecutive years. She went on to be the first Asian face to cover ELLE Australia. In 2016, she co-founded BACKGROUND, a global consultancy for which she specialises in Western-to-Chinese and Chinese-to-Western cultural bridging for a range of luxury, lifestyle, and brand initiatives. In 2017, she exhibited a series of 39 unseen photographic works as a solo show in Sydney, and premiered her first short film – a 15-minute exploration of her visceral relationship with classical music on both performance and abstract planes – to critical acclaim.

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