My Wardrobe Blogger High Tea

Just when you thought I’d exhausted myself in the sphere of tea and pretty food with pretty people, here I go again.

Just when you thought I’d exhausted myself in the sphere of tea and pretty food with pretty people, here I go again. Over an impressive selection of salted caramel, chocolate and French somethings, I caught up with a good number of wonderful Sydney bloggers whom I rarely have the pleasure of seeing, what with my head buried in books and computers and other fascinating things. It was just as good to go through the new Spring/Summer pieces newly landed from My Wardrobe, admire that AILA clutch from all angles, and calculate methods of making room for this amazing Theory leather peplum in my life.

I realise that all I only photographed bags (definitely reflective of my wardrobe current wardrobe situation) – you’ll just have to watch the video for more!



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Margaret Zhang 章凝 is an Australian-born-Chinese director, photographer, consultant and writer based between New York and Shanghai. Since establishing her website in 2009, Margaret has gone on to work with global brands including CHANEL, UNIQLO, Swarovski, YEEZY, Bulgari, Gucci, MATCHES, Under Armour, and Louis Vuitton in a wide range of capacities both in front of and behind the camera, while completing her Bachelor of Commerce/Bachelor of Laws at The University of Sydney. Margaret’s directing, photography, and styling has been employed by the likes of VOGUE, L’Officiel, Harper’s BAZAAR, NYLON, Marie Claire, GRAZIA and ELLE internationally. She has been listed in Forbes Asia’s 30Under30 and TimeOut’s 40Under40, and her work has been recognized as shaping the international fashion industry by the Business of Fashion BoF500 Index for the past four consecutive years. She went on to be the first Asian face to cover ELLE Australia. In 2016, she co-founded BACKGROUND, a global consultancy for which she specialises in Western-to-Chinese and Chinese-to-Western cultural bridging for a range of luxury, lifestyle, and brand initiatives. In 2017, she exhibited a series of 39 unseen photographic works as a solo show in Sydney, and premiered her first short film – a 15-minute exploration of her visceral relationship with classical music on both performance and abstract planes – to critical acclaim.

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