Behind the Scenes: Three of Something

Just when Sydney’s at its coldest, the Summer lookbook and campaign shoots come out to play…

Just when Sydney’s at its coldest, the Summer lookbook and campaign shoots come out to play. A few weeks ago, a solid number of us huddled alongside Three Blue Ducks masquerading as a steamy carnival in Rio de Janeiro for Three of Something‘s Summer collection shoot. It’s always inspiring to be around a team and designers with a very clear and congruent view on the exact shots they want (it was like Emma and the girls shared a brain), and upon finishing up several cold hours of bopping to Latin American tunes, I was very much looking forward to seeing the final shots, trying some of the pieces myself, and most importantly, heading to Rio myself wearing these happy prints.

London Olympics 2012 can move on – I’m all set to go for Rio 2016…



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Margaret Zhang 章凝 is an Australian-born-Chinese director, photographer, consultant and writer based between New York and Shanghai. Since establishing her website in 2009, Margaret has gone on to work with global brands including CHANEL, UNIQLO, Swarovski, YEEZY, Bulgari, Gucci, MATCHES, Under Armour, and Louis Vuitton in a wide range of capacities both in front of and behind the camera, while completing her Bachelor of Commerce/Bachelor of Laws at The University of Sydney. Margaret’s directing, photography, and styling has been employed by the likes of VOGUE, L’Officiel, Harper’s BAZAAR, NYLON, Marie Claire, GRAZIA and ELLE internationally. She has been listed in Forbes Asia’s 30Under30 and TimeOut’s 40Under40, and her work has been recognized as shaping the international fashion industry by the Business of Fashion BoF500 Index for the past four consecutive years. She went on to be the first Asian face to cover ELLE Australia. In 2016, she co-founded BACKGROUND, a global consultancy for which she specialises in Western-to-Chinese and Chinese-to-Western cultural bridging for a range of luxury, lifestyle, and brand initiatives. In 2017, she exhibited a series of 39 unseen photographic works as a solo show in Sydney, and premiered her first short film – a 15-minute exploration of her visceral relationship with classical music on both performance and abstract planes – to critical acclaim.

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